Happy Birthday Melissa McCarthy!



On the occasion of Melissa McCarthy's birthday, I thought I would post some pictures from a recent adventure Heidi and I had in Hollywood.  I had read that Melissa McCarthy would be getting her handprints in cement at the Chinese Theatre in Hollywood and hoped it would fit into our family vacation schedule, because Heidi and I are huge Melissa McCarthy fans (Heidi from Gilmore Girls and me from that and her SNL performances and general versatility).  Well, it did and here are the results!

Heidi at the World Famous TCL Chinese Theatre

Heidi waiting patiently and adorably in line



Susan Sarandon's introduction of Melissa McCarthy.



During her speech.  She was gracious, funny and adorable.  Much more like her Gilmore Girls character than her recent hit movies.

The Big Moment, standing barefoot in wet cement.

Melissa with her husband and director of Tammy.

 

Love this pic of Susan laughing with Melissa

Oscar winning screenwriter and co-star in Tammy, Nat Faxon.

O...M...G...here she comes!

Susan: "YOU haven't seen this movie, have you?!" LOL

Such an honor to meet Susan Sarandon.  Heidi didn't know her as well, but I just about died!

Melissa's husband Ben Falcone and director of Tammy.  Heidi knew him as an extra on Gilmore Girls :).

Sarah Baker, co-star in Tammy.

Look how impossibly adorable the two of them are!

Very successful autograph session :).

For the record, I did not at that time plan to take Heidi to see that particular movie because it was rated R and the previews made it look like a cheap knockoff of the worst of Bridesmaids, but I broke down and took Heidi last month and just reviewed it the other day.  Read it here (http://simoniesmovies.blogspot.com/2014/08/catching-up-2-to-see-this-weekend-and-2.html).

Catching Up: 2 to See This Weekend and 2 to Miss

I know I am woefully behind due to vacation and moving house, so I'm going to put my most recent reviews into one here.  Luckily, two of them don't warrant much attention anyway ;).

 

Diane Keaton's schtick has finally gotten old and tired and Michael Douglas has simply gotten old and tired.   The story of an grumpy old man forced to evolve by having a young cherub thrust upon him is an overused gimic. Combine that with poor dialog and a total lack of direction and you get this movie. It's like "How Do You Know - the Golden Years". Skip it.

 

2 out of 5 stars

 

 

 

 

Tammy was actually a pleasant surprise from what I expected, but still didn't qualify as "good".  This is a case of mis-marketing.  The commercials made it seem like a crude spin off of Bridesmaids, capitalizing on what some think is Melissa McCarthy's only appeal to audiences: being bawdy.  (Here is where I insert my objection to movies being rated R just for language again, probably done in this case just to attract the Bridesmaids crowd as well). However, it turns out that her character is the most sympathetic and Susan Sarandon as her grandmother is the somewhat repulsive secondary character. It's a bit of a madcap road movie (much of it in the midwest and Missouri in particular) with colorful characters and circumstances thrown in along the way, but the acting is far too real to allow it to be funny in most cases. This movie had heart and a good cast - see it for that...or don't see it all.

 

2.5 out of 5 stars

 

 

 

The Hundred Foot Journey must have looked tremendous on paper to get the likes of Helen Mirren, Oprah Winfrey and Steven Spielberg involved, and it almost is, but that doesn't count in movie making.  It's a pleasant story combining cultures, generations and palates, the third subject being my favorite part, which includes a sequence of competitive chopping and beautiful cinematography, but it never quite achieves the right chemistry of the three genres together. There are a few moments of humanity that pull at the heart strings, but the only greatness is Helen Mirren who is wonderful as a starched French restaurant owner. The rest of the cast cannot rise to her level and those mismatched feeling lingers throughout the film.  The leads are very appealing and could do better on their own, so a spinoff might be called for.

 

3 out of 5 stars

 

 

 

 

Boyhood is a fairly bold experiment in movie-making.  Filmed for a week or two each of 12 consecutive years, we actually see the actors age and evolve almost in real time - the most pronounced being the young boy who we see turn into a man.  The barely scripted improvisational style of the film also lends to this heightened reality.  It's not a reality show or a documentary, but at times feels that way.  (Also, in reality, people curse, even children, so this is how even this movie attains the R rating). My favorite aspect of this approach is that when they made current pop culture references to ground the film, they actually WERE current.  They didn't need to look in the archives and go figure out what would have been popular at the time - it simply was.  However, with such an open minded approach to making this story of a boy growing up, the (very long) movie at almost 3 hours doesn't end up having a story arch or even a climax.  At the end there is no lesson behind the plot, or even a plot.  So again, I applaud new ways of evolving the cinematic experience, but I would think most audiences would not appreciate that aspect alone enough to consider it one of the best films of the year.  Perhaps the Oscars should add a category for "Most Innovative Filmmaking Endeavor".  I would definitely sign up to see all of them.

 

3.25 out of 5 stars

 

Planes: Fire & Rescue S'Movie Review

Full disclosure: I did not see the first Planes movie.  I was miraculously able to pawn that task off on another family member.  That said, I kind of really enjoyed this second movie.  It had a great story, with the heart and subtle humor of the first Cars movie, which it’s loosely based on.  Cars was so well written, I never expected much from sequels or spin offs, but somehow they managed to make another quality film.   

I’m a fan of puns and this movie was full of flying related humor that most children would miss, but is a prerequisite tongue-in-cheek aspect of these anthropomorphic animated films.  The fire fighting aspects of the plot (these planes are essentially fire jumpers) are actually pretty intense and with the current forest fires in the Northwest, I worried that even my 11 year old would be a little scared by it.  The soundtrack lends a hand to the enjoyment of the movie as well, in particular with the use strategic use of AC/DC’s “Thunderstruck”. 

Overall, it’s no 3D Dragon, but  I almost regret not seeing the first Planes movie…almost.

 

3.25 out of 5 stars

Transformers: The Rules Have Changed, But Not In A Good Way

 

So, first of all, I loved the first three Transformers movies.  They were action-packed, funny, even well-acted and charming.  Unfortunately, Transformers 4: Age of Extinction only has the first of those four traits.  Yes, it’s action-packed, I know that’s a surprise, but at almost 3 hours long, action can only keep your interest for so long.  Note to the director, you need more to keep me from leaving in the middle to get another drink (which I did).  I just came back from a trip to Universal Studios and even without a drink, the Transformers 4D ride that lasted only about 7 minutes was better.

Mark Wahlberg is a good actor when the right script and the right direction come together (check out the little seen Pain & Gain), but this movie is made for wooden acting, so that’s what it gets.  As for the beautiful girl cast as his daughter, I’m guessing after the Megan Fox debacle, they thought any pretty model would do, but again, wrong.  The only thing Nicola Peltz has going for her is that she is a pretty crier, but at least Megan could act too.  The relationship between Mark as a would-be inventor and his daughter who is constantly taking care of him after the death of her mother and subsequent adoption of a broken down vehicle evokes Chitty Chitty Bang Bang, but even that homage is just an insult to Ian Fleming.  Stanley Tucci is by far the best thing about this movie (and most movies he’s in).  He’s diabolical and funny at the same time with just the right amount of camp, as though he was the only one on set trying to give the audience what they’ve come to expect from the series.

The plot is more convoluted than usual, as it intertwines space saga with technological greed as this sequel’s take on good vs. evil.  In fact, I thought at times that I might be watching the Asylum Studios (of Sharknado fame) version of Transformers, which could be titled: “Dinobots vs. Microsoftbots”.  Actually, that might keep me in my seat, well for two hours anyway.

2.5 out of 5 stars

Think Again: Begin Again Movie Review

The director of Once tried to make lightning strike twice and...it didn't.  Begin Again is nice, light romantic comedy fare, with a love of music thrown in, but it's unevenness and Amelie-esque perkiness prevent it from becoming any more.  Mark Ruffalo gives a very full and sincere performance, to the point of matching the desperation of his character, but Keira Knightley's constant smiling belies her character's supposed equal level of drama and the result is a mis-match of acting styles that leaves the audience off-balance as to how to even interpret many scenes. 

The movie itself revisits old themes done better in A League of Their Own and Bad News Bears to name to sport motifed films. It's a nice ode to New York as we follow another failed singer songwriter through her final attempt at success after hooking up with a drunken, washed up music executive.  There is a humorous cameo by Cee Lo Greene, but I'm sure this film was meant to make the audience recognize the acting skills of Maroon 5 lead singer, Adam Levine in one of the lead roles.  His character serves as a fairly good caricature of his own industry and pop idol status, but he ultimately takes himself a bit too seriously.  The ubiquitous Hailee Steinfeld shows up in a small repeat performance of her recent Kevin Costner movie (3 Days to Kill) turn as a mildly rebellious teen, but I always like to see her and she learned to play guitar for one of the best scenes of the movie.  Catherine Keener is woefully underused...again.  When will she get her breakthrough lead role!?

I'd like to talk about the elephant in the room on the screen - hair.  It's a recurring theme throughout the movie, though I believe unintentionally.  Mark Ruffalo's character has let himself go and the main way they express this is through showing lots of his body hair gone awry, from that on his head, to chest, legs and on and on.  Then there's Adam Levine's hair, which undergoes many changes throughout the film, most pointedly when he grows a much-maligned mega-beard.  Now to Keira.  She is supposed to be understated and constantly downplaying her own natural good looks, but she is in the exact same messy ponytail throughout the film, even when she goes to see her ex-boyfriend for the first time and when she goes out to see his show.  Not. Believable. Female. Behavior.

My 11 year old daughter enjoyed this film (mostly because she's a huge Hulk fan) but I couldn't muster anymore than "good" to describe my feelings about it and even then, with a lilt in my voice.  The generally enjoyable music is what saves it from falling below a "3".

3 out of 5 stars

Another Great Movie to Review! Earth To Echo

Most people are saying this is a modern day E.T. and while that is a tremendous complement and not too far off the mark, I would say it's more like Stand By Me meets Close Encounters with a little E.T. and Blair Witch Project thrown in.  It has the coming of age and kids on the road aspect of SBM, with the Richard Dreyfuss aspect of CE, the bad guys of ET and the camera angles of BWP LOL. 

This movie was fast-paced and so well-written and well-acted by these young actors that most of the time it did feel like a reality show, the way it is filmed by one of the main characters.  Real life is happening all around these youngsters, with all the angst and awkwardness, even amidst an otherworldly encounter and numerous dangerous situations.  I smiled constantly at them and laughed out loud frequently at their unintended one-liners and pubescent naiveté.

Yes, the little alien is cute, but he doesn't take up very much screen time - it's all about the kids.  The special effects and music were top notch as well.  I would say the adult characters were one-dimensional and almost cartoony, which detracted just a bit, but they were also such minor parts of the film that I quickly forgot about them.  The song played immediately after the movie ended, over the credits, was a strange choice and a bit jarring in contrast to the mood music so effectively used throughout the film itself, but it's one of my favorite current pop tunes (One Republic's Counting Stars), so I can see why they added it.  Other than that,  there was no aspect of this movie that my daughter and I didn't like and we immediately wanted to see it again, like we just got off a ride at Disneyland, or better yet, Universal Studios.

P.S.  There is an extra scene after all the credits that hints of a sequel - I hope it's true!

4.25 out of 5 stars

Movie Review: Jersey Boys

Sorry, I went on vacation right after seeing this movie, so it's taken me awhile to post it, but even if I hadn't gone on vacation, I'm sorry to say I wasn't too excited to write this one.  It's not a bad movie, it's just kind of there.  Uh-oh, I think I just made you stop reading...but just in case you didn't, here is what I have to say about Jersey Boys.

Jersey Boys is based on a hit Broadway musical that should have stayed on the stage.  I'm sure it is great to see this kind of thing on stage, because I've seen several in this style (Saturday Night Fever for one) and they have been wildly popular in recent years, with some even successfully making the jump to screen (Mamma Mia for one).  However, in transitioning to the screen with Jersey Boys, a little more drama and a little less stage effects would have served the story better.  The music is fantastic and most of the acting is decent, but it's too polished overall (stage costumes) and the multitude of characters talking directly to the audience just don't work. 

My favorite moment was when the most passive member of the band goes verbally postal when the group falls apart, which may have been unintentionally funny.  I also enjoyed the little hints of the film's directory, Clint Eastwood, with one of his daughters playing a minor character in one scene and Clint himself gracing a "screen on screen" when one of the main characters is watching TV and it just happens to be playing an old Clint Eastwood movie.

Still, the story is interesting, if a little rushed and there are definitely funny moments, but the stage number at the end, involving formerly sinister characters and enemies smiling and singing together was what put it over the edge for me.  This too is a traditional Broadway stage ending, but it doesn't work for this story, at least on screen.  Let's reserve those for happy endings.  Neither the plot nor the future of Jersey Boys has that.

2.75 out of 5 stars